What kind of blues are in that sky, and what kind of grays are in those clouds? What’s the one color you never want to put in your sky, not even in the most lurid sunset? How can you show the sun breaking through the clouds, when it’s so much brighter than the white of your paper? What happens where the sky touches the land, and how can you give a sense of sunlight spilling over a landscape? When do you want to precisely indicate what kind of clouds you’re seeing, and when do you need to alter reality to make a better painting?
As she did in her class for the Nature Journal Club last year, Reflections and Other Tricky Things About Water, Laurie will attempt to answer those and many other questions with a grab bag of painting techniques, science, field observations, solutions from other artists, and random tips she has accumulated in her 7 years of organizing the SF Sketchers Meetup Group, teaching watercolor, and painting skies wherever she sees them.